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And ‘their goal was to carry out a political transition by In thisĬontext, one must consider that this period’s political sphere was led by people that The film was released in 1988, just after the Transition period in Spain. This essay will show how the film portrayal of women correlates to the socio-political Of women, it remains superficial, as does the evolution of democracy in the country. However, this paper will discuss that even though the film tries to strengthen the role The essay will analyse the ways in which Almodóvar depicts women and their lives,Īnd how this influenced (and was influenced by) the evolution of women in Spain. And doing so,įrancoism’s social influence is still noticeable beneath his modern style. Is also bringing back the difficulties suffered during the past years. Sexual freedom in an exaggerated way, but by doing this, though unintentionally, he Is showing changes, especially surrounding gender, womanhood, femininity and Remembrance of Francoism to exist through my films’ 6.
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Stated that he prefers ‘to negate the past’, and points out: ‘I don’t even want the With the new situation and apparent freedom, as Natalia Ardánaz argues, the artistsĭid not only show the changes that were happening in the country, but also broughtīack the ghosts that were hiding during the dictatorship. Jean-Max Méjean and Vicente Molina Foix, Pedro Almodóvar (Barcelona: Robinbook, Pepa Blanes, 'El Feminismo A Medias De Las ‘Chicas’ Almodóvar', Ctxt | Contexto Y ntadoĪcción, espa%C3%B1ol-feminismo-Volver-Mujeres- 2018 ctxt/es/20160316/Firmas/4778/Mujeres-Almod%C3%B3var-cine-al-borde-Todo-sobre-mi-madre.htm [Accessed 13 Marchģ Marsha Kinder, Refiguring Spain (Duke Press, 1997).Ĥ Original text: ‘es quizás el cineasta con el que soñaba España para demostrar que haĬambiado’ 2007), p. [Accessed 14Ģ Original text: Las de Almodóvar son mujeres fuertes, solventes, maduras, peroĭependientes emocionalmente, así como mantienen actitudes que el feminismo ha intecombatir. 4 However, had Spainġ El Diario, Mujeres Al Borde De Un Ataque De Nervios, 2018Įldiario/cultura/cine/mujeres-borde-ataque-nervios_0_730377622.htmlMarch 2018]. Actually, ‘Pedro Almodóvar is probably theįilmmaker Spain dreamt with to demonstrate it had changed’.
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After the dictatorship, the arts were conceived as an essential tool toįight against the remaining mindset. Worked as a tool of change, and as himself said: ‘I think in my films they (theĪudience) see how Spain has changed’. Being an open-minded socialist at the time, his films Pedro Almodóvar could be considered the best-known Spanish film director,Īnd starting his production in the seventies, he took part in a movement of change W O M E N O N T H E V E R G E O F A N E R V O U S B R E A K D O W N : F E M I N I S M A N D D E M O C R A C Y 1Īlmodóvar’s women are strong, solvent, mature, but dependant emotionally, and they maintain attitudes that feminism has been trying to fight 2